Saturday, December 24, 2011

Sneak Preview of the very first THRILL SEEKER COMICS story remastered in color

Merry Christmas!

It was exactly a decade ago that I was up late working on the artwork for these pages of what would be the very first THRILL SEEKER COMICS story that was featured inside SHOOTING STAR COMICS ANTHOLOGY #1.

When I was about 13 year's old, I sat at the bus stop and sketched pictures of a martial arts character that would become the Emerald Mantis. I finally had a chance to bring my childhood creation to a comic book back in 2002. I made up some other characters on the spot -- one, the Yellow Jacket: Man of Mystery took on a life of his own. He was originally going to be a throw away character and the fan response was fantastic. So, as we began producing other volumes of SHOOTING STAR COMICS ANTHOLOGY, I would often feature our fedora wearing hero from the South.

2012 will be the 10th Anniversary of my independent comic book stories that were a series of short black and white stories. Over the last 18 months, I've on and off have been restoring the artwork for my own "10th Anniversary Remastered Special Edition". I've touched up the artwork, added color, and I've fixed a few panels that I wasn't so keen on a decade later. Giving this series a second breath of life.

I'm about 12 pages away from finishing a 124+ page archive edition that I intend to release in 2012 with a new publisher. I had thought that it would have come out this past year, but life threw a few curveballs at me. My pal Erik Burnham (GHOSTBUSTERS, A-TEAM) is editing the special edition and helping me get back into the comics business this next year. I'm shooting hard to get this collection out this next year along with some new stories.

For my friends and faithful fans of the independent comic book series, here is a Christmas gift... the very first story remastered and colored. A sneak peek for what the archive will look like.

I hope you enjoy.

Merry Christmas,
Scott McCullar


















Tuesday, September 20, 2011

My Karate Kid bows off the floor

I’ve been blogging on and off for over a decade now. At times, the things I write gets personal as I share some part of my life with the world out there. It feels like I’m venting into outer space. It is like placing a message in a bottle and you have no idea who in this world might read it. Someone you don’t know, perhaps YOU whom I’ve never met, reads some very personal matter in my life that most folks would keep to themselves and not share if they were normal folk.

You wonder sometimes if you will get a response back. Perhaps some message in a bottle floats right up to your own shore with a reply. But for me, I’m writing this right now to express my feelings and make sense of my thoughts.

I mean, how often are you told that it’s not good to put your business in the streets?

And here I am putting it out on the information highway.

Here is my message in a bottle today:

There is a part of me that grieves today, but at the same time, I’m going through a process of accepting change in my life and those of my children. I had to accept this change in order to keep healthy relationships with my family.

Five years ago, I returned to my study of karate after a seven year absence. At that time, my daughter joined me in the renewed venture. She went to the dojo with me night after night for a few years. It was helping her with her health and provided her mother and me with some comfort knowing that she could defend herself. She actually became very talented in her karate skills. At some point, all the demands of studying karate became too much for her as she progressed. She made a decision that she wanted to quit. As her father, feeling confident that she could defend herself under most circumstances, I was able to let her leave without much fuss. Sure, I encouraged her and tried to convince her to stay (mainly for the health reasons to stay fit), but I was unable to convince her. She had a mind of her own and was grown up enough to make her own personal decisions.

Almost four years ago, my younger child, also started karate. He was already very physically fit, but I saw that he needed the discipline and the ability to defend himself. I wanted him to also feel confident as he walked the halls at school if a bully should ever bother him that he would be able to take care of himself. I wanted to work on his character development, focus and discipline. As a father to a son, I wanted to help give him an edge to become a man.

Last night, he came to me with the notion that he wanted to quit karate. He has thought about this on and off for the last year, but last night, it was something he was sure about. My son was at a point that he was nearing a mile-marker where he would test for his brown belt. Over a year ago, I told him that for him to pass that test, it would be solely up to him if he wanted to earn that rank. He would want to have the desire and drive to practice his karate and train hard. It was up to him. Physically, he was there. Skill-wise, he was doing fine with his kata, sparring, self-defense, etc. But mentally (or emotionally), my son was not prepared to continue studying karate. His interests went elsewhere.

Karate involves the balance of mind, body and spirit. His mind pushed him and his body obeyed, but his karate spirit had left the journey. I appreciated the honesty and respect he showed in handling this maturely, but he let me know last night that he wanted to take an extended leave of absence from his karate training to pursue other interests in life that included baseball.

I love baseball. Don’t get me wrong. But I’m sad that my son won’t be going with me to the dojo to train any longer.

I could have forced him. There were times that I did in the past, but I knew last night, I had to let him quit and make up his own mind. I actually made him write an essay last night putting into words what he felt he learned from karate and explain why he was temporarily leaving. He did so and I know it was a difficult thing for him to do. But he did. He signed it and I’m keeping it for posterity.

Like his sister, he had a mind of his own and was grown up enough to make his own personal decisions.

He learned a lot from karate. I didn’t even have to read what he wrote. Still, it helped quantify it and keep it as a record for his future should he go back and re-read it one day. Maybe, hopefully, he will reconsider and relight that fire where he will want to study karate again.

Karate has helped shaped him into the young man he is now, but I know that I cannot force him to continue. It would damage our father-son relationship.

I see firsthand all the time how parents struggle with letting their kids quit from some sort of sport. The kids aren’t having fun, they have short attention spans, they want to play video games, they lose interest, they don’t like getting yelled at by coach, and they get embarrassed if they don’t score. Whatever the million reasons are. It is a part of life.

I had to ask myself if the decision to push him into staying in karate was going to be my decision or his, and then I realized at this point, this is his own journey and not mine. As difficult as this was for me, it was time to let him discover on his own what he wants to do, rather than me making the decision for him and pressuring him into becoming someone or something against his will. I led him to a point that he’s done well and I’m proud of him, but it is his decision.

I have to remember that this was difficult for him, too.

I studied karate from ages 12 to 17. I quit. I then studied karate from ages 26 to 29. I quit a second time. I returned. There is hope.

I was more mentally and spiritually prepared for karate as an adult and it was my body that has been tested to its limits. Karate, over the decades, has become such a huge part of my life that I can no longer separate it from my beliefs and what makes me tick. Karate is one of the major ingredients that make up the essence of my soul in who I am. It is more than punching or kicking. More than self-defense and feeling confident. It is so much more. Those that study budo arts and the philosophy understand.

Karate is much more than sport or a hobby. That was the thing that I’ve tried to instill into my kids. I still don’t know if it sunk in or not. I think perhaps the seeds were planted. We’ll see what happens in the future.

If anything, their time studying karate will have helped them in their own lives in some way and will have allowed them to perhaps understand their abnormal father just a little better.

Friday, August 12, 2011

Scott McCullar's G.I. Joe Action Figures

Combat Machine GunnerBasic Action Soldier (with box)African-American Action Soldier Military PoliceBivouac Sleeping BagWest Point Cadet
Basic Action Pilot (with box)Mercury AstronautScramble Communications (with rare Goldenrod Uniform and Rubber Boots)Air Force Dress PilotAir Force PoliceCrash Crew
Air Academy CadetBasic Action Sailor (with box)Sea Rescue Talking SailorShore PatrolBreeches BuoyLanding Signal Officer
Basic Action Marine (with box)Dress Parade MarineMarine Jungle FighterMarine Tank CommanderRussian Infantry ManAustralian Jungle Fighter

For those reading my blog, my next entry will be about collecting G.I. Joe.

In the meantime, if you didn't know already, I have an account on Flickr.com where I post a "Joe Pic of the Day" just about daily at my Flickr page. Spotlighted are 12" action figures from my collection that include vintage 1960's and 1970's original G.I. Joe action figures and rare sets. I also post pictures of kitbashed custom figures that are modern era Timeless Collection reproduction sets. Each figure gets a little spotlight, description and my thoughts.

Friday, July 08, 2011

Scott McCullar’s 10 Favorite Comic Book Covers

ORIGINALLY POSTED August 24, 2007

One of my favorite features in COMICS BUYER'S GUIDE magazine each month is when the editor allows a renowned comic book creator to pick their "Top 10 Favorite Comic Book Covers."

Since I don’t think they’ll be knocking on my door anytime soon to ask me to offer mine for the magazine, I instead thought it would be fun to go ahead and post them on my blog.

Sure, there are countless other more famous covers to choose from that are iconic in a sense that they might make it onto U.S. postage stamps. But when I sat down to think of the first top ten that made it onto my list, I realized that these images have been burned into my psyche…

(Not in any necessary order - all the books are in my collection)


GREEN ARROW - GREEN LANTERN #1 (October 1983) © DC Comics
Cover: Neal Adams

This was part of the a seven issue mini-series that reprinted the original “Hard Traveling Heroes” storyline from Denny O’Neil and Neal Adams’ classic Green Arrow/Green Lantern series from the early 1970’s. I had just read GREEN ARROW: LONGBOW HUNTERS and was hooked on the new monthly GA series by Mike Grell. I found this mini-series in the back issues bin to catch up on this classic storyline that I kept hearing people talk about that came out about the time I was born. Neal Adams has always been one of my favorite artists that I grew up on in the 1970’s as a kid.


ACTION COMICS WEEKLY #608 (July 1988) © DC Comics
Cover: Brian Bolland

Black Canary, sassy and sexy as ever in her fishnet stockings, burns her gawd-awful Olivia Newton-John “Lets Get Physical” bad 1980’s costume that had the headband. She was back in all her bountiful beauty. By Brian Bolland. Another favorite artist… especially when it comes for him drawing the ladies.


SGT. ROCK #372 (January 1983) © DC Comics
Cover: Joe Kubert

This cover caught my eye when I was 12 years old and I was hooked on Sgt. Rock and Easy Company. What a terrifying and haunting cover that made you want to look inside. By Joe Kubert. He is the man. One of my top favorite artists.


SUPERMAN’S GIRL FRIEND, LOIS LANE #29 (November 1961) © DC Comics
Cover: Curt Swan

I love Curt Swan. He is THE artist who defined the look of Superman for over 30 years. But it was this cover with my favorite hero – Green Arrow – making his move on Lois Lane that makes me laugh all the time. Top that with the recent romance of Oliver Queen and Lois Lane some five decades later in the SMALLVILLE television series, I thought this was a hoot. Makes me grin everytime that he is the man with the mojo. Step aside Super Friends. Also, I highly recommend finding the book, CURT SWAN – A LIFE IN COMICS by Eddy Zeno to read on the life of Curt Swan. Again, another favorite artist.


G.I. JOE #23 (May 1984 ) © Marvel Comics / Hasbro Toys
Cover: Michael Golden

Gotcha! This cover was just cool as a kid. The Hunt for Cobra Commander and the G.I. Joe team caught the bad guy. Clutch and Roadblock.. two of the toughest cusses on the G.I. Joe team. Just my favorite G.I. Joe cover by Michael Golden.


LONE WOLF & CUB #4 (1987) Published by First Publishing
Cover: Frank Miller

Most folks know Frank Miller from DARK KNIGHT RETURNS, SIN CITY, or more recently 300 with the movie adaptation. He has a bunch of covers that are much more famous. But for me… seeing this picture of Itto Ogami taking on the three ninja mercenaries out of the bloodiest film I had ever seen in my life called SWORD OF VENGEANCE just peeked my interest. Frank Miller turned me on to LONE WOLF & CUB. This was the Japanese manga series from the early 1970’s by another one of my favorite creative teams – Goseki Kojima and Kazue Koike. The suspense of the bloodshed about to happen is just a moment of way as arteries are about to whistle in the wind from being cut by Ogami’s katana.


STAR TREK ANNUAL #2 (1991) © DC Comics / Paramount
Cover: Jerome Moore

“I need my pain.” Captain James T. Kirk. Captain of the Starship Enterprise. My longtime hero. Here he is illustrated photo-realistically by Jerome Moore in a montage that shows him at various stages of his life. I always loved this cover and I’ve always loved everything that Jerome Moore has ever drawn.


WORLD OF KRYPTON #3 (September 1979) © DC Comics
Cover: Ross Andru and Dick Giordano

The colors on this book and the iconic feel of who and where the Man of Steel came from was summed up perfectly for this cover. This is my favorite Superman cover from the thousands that are out there now.


BATMAN: LEGENDS OF THE DARK KNIGHT #11 (September 1990) © DC Comics
Cover: Paul Gulacy
It was difficult to pick a single Batman cover. Not that I was hunting for one. But I remember reading this comic book during my freshman year of college – not too long after the 1989 Batman movie with Michael Keaton had come out. This just captured the “bat demon from hell” look of Batman for me that made the Dark Knight a scary creature of the night that put fear in the hearts of criminals. This is my favorite “Dracula” like pose of Batman with his cape raised like a bat as he is underground in his Batcave with either infrared lights glowing or perhaps some lava glow. Okay, maybe not lava glow… but this was one HOT cover.


SHOOTING STAR COMICS ANTHOLOGY #6 (February 2005) Published by Shooting Star Comics, LLC
Cover: Mike Grell and Scott McCullar

Okay… this one is hard to be objective on. This is an excellent cover penciled and inked by my favorite artist, Mike Grell. You know, there are countless more memorable covers that Mike Grell has done… especially for Green Arrow, Warlord, and Jon Sable. But this one is a favorite because he did this cover for me. Pictured is my character, the Yellow Jacket: Man of Mystery and a few other characters that appeared in this story SHOOTING STAR COMICS ANTHOLOGY. This ended up being the last issue of the anthology series though we had more planned. Grell is a master artist. And for me… I had the extreme pleasure and honor of coloring it. Yep, a Mike Grell and Scott McCullar collaboration. A dream come true.



That’s it. There is my “top 10”. I hoped you got a kick out of my personal picks.

Best,
Scott

Wednesday, July 06, 2011

Tangible versus Intangible Long-winded Rumination

“Please place your right hand on the iPad and raise your left hand and repeat after me… I do solemnly swear…”

[Stop.]

Okay. Hope that makes a point for what I thought I would ruminate on tonight.

Recently, after eating my donut and drinking a cup of orange juice moments before Sunday School began, I was sitting at the table getting ready for Bible study when an older gentleman walked up to me with an extra Bible in his hand. Our class with Pastor was about to start and I looked ill-prepared to this gentleman from our congregation.

“Need a Bible?” he asked. Holding it out for me to take.

Without thinking, I replied, “No. Here is my Bible.” I was pointing to the item that sat on the table right in front of me.

He gave me the weirdest look of bewilderment and walked away.

I pondered why he made that face at me and then I looked down on the table where my hand was tapping. I was pointing to my iPad where my finger touched this thin, black velvety cover that looked like it could only hold the pages of a thin comic book. I don’t think he knew what it was.

You see, I was no longer toting my 2372-page Lutheran Study Bible (English Standard Version) around with me to church. Instead, Concordia Publishing House released the study edition through Amazon Kindle as an e-book. I downloaded the Amazon App on my iPad and downloaded the Bible to my device – thus I had my Bible on my iPad. I can take it with me anywhere I go.

For the last six months or so, I’ve left my Bible (y’know, that big, heavy tome that would hurt if you dropped it on your big toe) at home when I go to church now. On top of that, I love having the 3GS Internet connection as we’re studying so that I can look things up on Wikipedia while we’re talking about certain subjects or if I needed to check my Concordia study notes. Everything is at my fingertips. I love streamlining my life.

This iPad is more than a Bible. It is my GPS. It checks the weather for me. I have about one-hundred Atari games on here. A few James Bond novels. Many new comic books. My daily USA Today newspaper. Notes from work. Art projects. Pictures. Videos. Some of my iTunes collection of songs. The movie O BROTHER, WHERE ART THOU? My email. An Internet connection. Facebook. And a gazillion other things.

[I love my iPad.]

Tool for work. Tool for play. Tool for life. It looks like it just beamed down into my hands from the television series Star Trek: The Next Generation. I saw something like this device in the hands of Wesley Crusher while he stood in engineering on the U.S.S. Enterprise.

I may not have a jetpack or hover vehicle (yet), but I’ve got my iPad.

[So, here is where I take the left turn at Albuquerque on you.]

About a month ago, a conversation that I had with both Kat Gietl and Sarah Beach on a Facebook thread has really made me think lately. I forget how the term came up in describing a tangible object in our organically informal Facebook conversation, but the word, “artifact” came up in discussing actual objects that we can hold and appreciate. (Heck, even there, we’re having a “virtual” conversation that isn’t face-to-face.)

We were discussing Paul McCartney’s recently re-released deluxe edition remastered recordings. A few of his early albums were recently placed in generously packed books with extra CDs and DVDs. I confess there is a bit of a hefty price tag on some of these. Definitely for the diehard collectors.

I pondered whether I was going to take the plunge and buy them. At one time or another, I’ve owned some of these albums on vinyl record or compact disc. In some cases, I still have them. So why in the world would I rebuy them?

(I digress, but you don’t want to know how many times I’ve purchased the original Star Wars trilogy, and I’m about to do it again this fall on Blu-Ray Discs.)

For the last three years or so, my CD purchasing has been down considerably to only buying a disc here or there. Usually from independent non-label musicians who sell their CDs out of their car trunks at small shows where they perform. I’m now buying 95% of my music “virtually” through iTunes as downloads.

On top of that, I’ve “ripped” my CDs and I’ve even “ripped” many of my vinyl records (thanks to the Sony PS-LX300USB turntable) to MP3s for me to drop into iTunes. From there, I can listen to music on my home stereo system connected to my computer and/or move music over to my iPhone, iPod or iPad.

I’m so techno hip, now, you see.

So here is where I’m turning this conversation…

The tangible. The artifact. The Real McCoy. The antique. The objets d’art. The obsolete?

Versus…

The intangible. The replica. The Virtual. The Conceptual. The Digital. The norm. The practical?

[I pause.]

Sometimes, looking in the mirror, I feel like a contradiction. I feel torn in two.

Aren’t I supposed to choose to one or the other?

Here is what I mean…

There are things that have surrounded me in my life. I adore them. I love them. They are a part of my life. Sometimes they are part of the past and I appreciate beautiful, old things. Or the way of doing things in a traditional way or certain process. It may in this day and age seem antiquated.

Here are a few examples of what I’m talking about.

I love firing up my turntable and dropping the needle on a vinyl record pressing of The Who’s QUADROPHENIA. It is a double record set. My copy was actually pressed in 1973 and I bought it at Recycle Records during my sophomore year of high school. I don’t mind getting up, turning it over to the second side when side one finishes. Then, getting up again and putting on the second album and then doing it all over.

I don’t mind.

I suffer for the love of my art and music sometimes. In that suffering comes joy. I love the warmth of the grooves. The pop. The hiss. The depth. I love how the music can come blaring out of my old Cerwin Vega speakers. The same ones that I got when I was 15 year’s old and still own. I love pouring over the liner notes and caressing the artwork of the cover and sleeves. I love the weight of the cardboard album cover and the feel of the texture. I love graininess of the photography in the book inside and it’s near sepia tone that hints at a brownish warmth.

But I also own QUADROPHENIA on CD. I’ve even “ripped” the “album” into iTunes and I now probably listen to it more on the go instead of sitting in front of my lava lamp with the turntable. As a matter of fact, my QUADROPHENIA CD is in storage somewhere in a box. It is irrelevant now to me. I love the crystal clearness of the digital “rip”. No accidental scratches. When the song “The Real Me” plays on my earphones, I’m transported as Roger’s voice comes in clear, horns blare, Pete’s electric guitar strums magically, Keith’s drums roll like crazy and Jon’s basslines pulses in a way only Entwistle can play which makes me close my eyes and my skull move back and forth as if I was Ray Charles in a moment of musical ecstasy gritting my teeth.

Who are you, Scott McCullar?

Digital or vinyl record lover, brother?

~ ~ ~

I love comic books. Past, present and future. In my armored bunker surrounded by barbed wire, machine guns and a guard dog, I’ve got an extensive comic book collection that would compete with the inventory of many small comic book shops. Boxes and boxes of bagged comics in rows and rows of white archive boxes. Some may think (and rightfully so) that I hold a collection that are full of collector’s items. It is true. I do have some Superman and Batman comic books from the 1940’s in my possession that would probably be better suited to be on display in a museum. They are treasures. Works of art. Works of wonderment. But I still read them (carefully) as the pages are about to fall apart. I probably should have them placed in plastic coffins (CGC Comic Book Graded by a professional) to be preserved for the ages, but by golly, I still want to read them. I don’t see a lot of MORE FUN COMICS reprints, if you know what I mean.

They were originally produced to be mass consumed by 8 year olds during the Second World War, but now are traded amongst adult collectors as objets d’art. While the smell of old musty comic books makes my wife sick to her stomach and she had me remove them to the bunker away from her normal everyday line of sight, I still love the smell of comic books in the morning. It smells like… victory.

I still read comic books, but I’ve noticed over the past year, I’ve bought a heck of a lot of comic books through the Comixology App on my iPad. I don’t care about the “collectibleness” of the item. I just want to read the dang comic book story. I want the reading experience. If it is 2 a.m. and I want to read a GREEN HORNET story or try out one of Mike Allred’s books, all it takes is a push of a button and I’ve got the virtual comic to read. Not only that, it has cost me considerably less in some cases where I don’t mind spending 99 cents on a comic book that I probably wouldn’t have tried out with $3.99 price tag or whatever it is to buy it in print. Though I have some nice things, I’m not made of money.

I’m even working on comic book projects now with the mindset that it will be published both in print on paper and in digital formats.

~ ~ ~

Now don’t get me wrong, I still love going into REAL record stores with knowledgeable clerks or well-organized and stocked comic book shops to find the goods from those pushermen that feed my addictions, but the times they are a changin’ and I’m going with the flow a bit.

~ ~ ~

G.I. Joe action figures. For years, I collected reproduction G.I. Joe action figures because original vintage action figures that were originally made in the 1960’s and 1970’s were too expensive. Five years ago, I would never had thought that I would be able to own some of the original releases. But recently, with the economy tanking and many collectors of vintage G.I. Joe figures going into retirement or cashing out, well, the market has flooded these past few years with vintage Joes. Items that may have cost $250 five years ago can be found now for maybe $40.

Amazing. I’m scooping them up.

One of my many hobbies is collecting vintage Hasbro G.I. Joe. And with a careful and frugal eye, I’ve been able to aggressively pick up many vintage items that are trickling into the secondhand market.

Why, Scott, why? Why do you collect these old vintage action figures?

I collected G.I. Joe figures as a kid. At first, it seemed nostalgic. It was fun to do and I considered it 1/6th Scale modeling. A simple hobby. Now, holding an original 1964 G.I. Joe instead of a reproduction makes me appreciate the history and uniqueness of some of these figures as they are pieces of art. There is a feeling that comes over me that is indescribable. While massed produced originally, they’re rare. One of a kind in some instances with its own little scratches, nicks and imperfections where they saw some backyard battle decades ago with some kid. Go watch the TOY STORY movies and you’ll start to understand what I mean. The few G.I. Joes that I still own from my childhood are actually more precious to me now and I know that one day, I will have to give them up, too. Old buddies of mine. I’ve restored many of them. I don’t do it for the monetary value, nor prestige to show off. I do share in a sort of grown up version of 'show-n-tell". It really isn’t a case of who dies with the most toys wins.

As John Lennon said, you don’t take nothing with you but your soul.

I love collecting these vintage toys (and even the aforementioned golden age comic books) because I’m preserving this tangible aspect of history to look at and enjoy. I’m enjoying them at this moment. And others can enjoy the experience of holding and looking at some of these items that are disappearing. Will my son, Mitchell, appreciate these when he is older? I don’t know. I don’t know if that is anything I can pass down or teach him. Either he will or won’t, though I would be thrilled if he did.

~ ~ ~

So, I spoke of pop culture items. Records. Comic books. Action figures. I know that is what my world seems to swirl around for my hobbies, but there are other aspects of my life that this dichotomy touches.

I started this whole thing off by speaking about the Bible.

Philosophical question for you… is my iPad with my e-book version of my Bible make my iPad “my Bible” or not? Is it a Bible? Did Guttenberg get flack when they belayed those pesky monastic hand-written Bibles and instead mass printed more efficiently produced Bibles for the German populace to read?

~ ~ ~

So, changing subject, when I was in college, I concentrated my studies in printmaking. Specifically intaglio and lithography. Here it was, the end of the 20th Century and I was spending most of my time working on a method of making art that was mastered by Rembrandt in the 17th Century. After I graduated from college, what do I do? I get a job working at Kinko’s to make a living and I work in reprographics and learn desk top publishing. I learn the skills of graphic design and modern day printing.

Seems like the antithesis of what I went to school to learn.

I learned something front printmaking in college all those years ago. In traditional printmaking, for me, it wasn’t the end result with that print that you pulled off the plate, it was the journey of making the print that I loved. The blood, sweat and tears along with the time it took and the perseverance needed to make that beautiful print. Each one hand cranked. Each plate re-inked. And damn, printmaking can be literally toxic. It took effort and thought.

It wasn’t me going to the copier and clicking “100 copies” and hitting the green button once and walking out five minutes later. It was walking out five hours later. There was a method to it all that I appreciated. There is an ethic to making traditional prints in the same manners of those master artists all those centuries ago and yet putting a modern spin to it.

~ ~ ~

Which leads me to the Budo arts. I’ve often thought the sword and the brush are similar in more than one way. Visual Arts or Martial Arts. For me, there is a fuzzy line to delineate the differences. They’re almost the same in my approach.

Why would I want to study the art of drawing a Japanese Iaito or Katana (sword) and placing it carefully back into its saya (scabbard) over and over? What is the practicality of that?

Why study karate when a more practical solution is to just own a gun?

[Pause. I’ll let you think about some of this. I’ll think about some of this, too. At a later time, I promise that I’ll write more about karate and allow you to get inside my head to see a glimpse of why I do what I do. I know clearly why I study karate…]

~ ~ ~

Without getting too far off track in my ramblings, there are certain pleasures in life.

I love drinking a chilled Coca-Cola bottled in Mexico that is made with pure cane sugar instead of high-fructose corn syrup. I like drinking this real Coke in its Venus of Willendorf-shaped trademarked bottle.

I love playing my Hofner bass guitar with real round wound strings.

I prefer my Okinawan-styled tonfa when practicing kobudo.

I prefer Sean Connery as my James Bond.

~ ~ ~

All of this doesn’t mean that I won’t enjoy Daniel Craig as 007 or I won’t drink a Coke Zero out of a can. It doesn’t mean I won’t pick up my 2372-page Bible and read from it or pick up and fire a gun.

I embrace tradition and yet embrace innovation at the same time. It may seem schizophrenic to some but I choose as I need to for the situation. We each have our own idiosyncrasies.

What a moment to be alive to see so much transition and to have many choices as the times change?

New doesn’t always mean better, but sometimes, well sometimes… you got to give it a shot.

Sunday, July 03, 2011

Elvis Presley: (The Secret Bass) Guitarman?

Elvis Presley is the King of Rock’n Roll.

I really don’t need to say much more than that. He doesn’t need an introduction.

For as far back as my memory allows me to go, his music has been a part of my life. I must have been about four year’s old when I was dancing on the shag rug to “Hound Dog” as the vinyl record spun on Daddy’s high fidelity turntable.

Now, I’ve got to forewarn you, I’m going to take the scenic route as I discuss my theory that Elvis Presley secretly held a passion for bass guitars and saw himself as a bit of a bassman. He knew how to get down on it and could really play bass guitar.

Did you know that Elvis actually played the bass guitar on the track “You’re So Square (Baby, I Don’t Care)”?

There was no question that the man had rhythm and that even his gyrating fingertip could swoon a crowd of women into a tizzy as it moved back and forth. Watch any film clip of Elvis live on stage (especially post 1967) and you can see his head, hands, body and his whole soul move along with the rhythm that the basslines dropped. Sometimes, when on stage and gyrating in his karate moves, he would even play a bit of “air (bass) guitar” on occasions with his two fingers as if he was “walking the basslines”.

But let’s take the scenic route and build up to discussing his bass playing and passion for Fender basses for later in this blog o’mine as I digress a bit.

One of my earliest memories as a kid was getting my shots for school at the doctor’s office in August 1977. Over the radio, the newscaster announced that Elvis Presley had died. It was like a family member had passed away. I was with my mother in the reception room and it was the first time in my life that I can remember ever seeing my Mama cry. It will be a moment that I will never forget.

I would learn years later, that Mama had met Elvis when she was younger. The story goes something like this… around 1956 or so when my Mama was about eight year’s old, my grandmother took her, along with her sister(s?) and cousin(s?), to see where this local Elvis boy lived in Memphis. This was before he bought Graceland in 1957 and had just made the transition from Sun Records to RCA Victor for his recording contract.

Take this all with a grain of salt (I do believe it is all true), but oral family tradition has it that during the infamous Elvis meeting with my Mama and the girls, they were standing on the sidewalk in front of his house to see if they could sneak a peek of him. They could see Elvis’s mother, Gladys, hanging clothes on the laundry line. Elvis then rode up on his motorcycle wearing his black leather jacket and cap. He had a girl on the back of the cycle with him. Mama says it was Natalie Wood, and would you believe, doing a little Internet research, Elvis did indeed date Natalie Wood in 1956.

Well, the story goes that Elvis pulled over on his bike to say hello to his young fans. He chitchatted with the girls, and then get this… he cuts up a bit with them and then he ruffled my Mama’s hair. She had “Shirley Temple” style curls as a child and Elvis goofed off with her for a moment. He stroked my mother’s hair and played with her curls for a moment. According to Mama, Elvis then invited my grandmother to come back the next day to play cards with his mother but my Granny declined.

“That’s okay. We don’t want to bother.”

Shoot. We could have become Memphis Mafia.

I tell you that story to set up the next story. Yes, indeed, I’m an Elvis fan. By birthright as you can see.

I’ve amassed quite the Elvis record collection myself and I believe I have over 50 different albums that he put out. I even own quite a few Elvis movies on DVD. I love KING CREOLE, CHANGE OF HABIT, ROUSTABOUT, KID GALAHAD, HEARTBREAK HOTEL and so many more. I make no apologies. I’m an Elvis fan.

So, last year, as part of her own birthright, I took a little vacation down to Memphis in May of 2010 to visit my Mama and Daddy. For this trip, I just took my daughter, Rachel, along with me to visit her grandparents. During the trip, we decided to take Rachel on her first pilgrimage to Graceland. It was just me, Rachel and Granny (my Mama) who went as my Dad wasn’t feeling well and stayed home.

[As a side note, you can see our photo journey of our pilgrimage by visiting my Flickr account.]

There is a lot to see at Graceland. I recall them saying that only about a third of their memorabilia is on display while the rest is archived in storage. In some of the halls, you can see many of his Martin and Gibson six-string guitars on display amongst other props, jumpsuits, big buckled belts and movie posters.

As many Elvisologists will tell you, there has often been debate about how well Elvis actually played guitar. He may have appeared to be a “Guitarman", but his Sun Records guitarist Scotty Moore eluded that Elvis was not really an accomplished musician, though he had an “uncanny and amazing sense of timing and rhythm.”

In the early performance career of Elvis and as seen in both his movies and album covers, he was often holding one of his acoustic six-strings. During an interview that I recently caught on the Elvis XM Radio (XM 18) with host George Klein, I heard photographer Robert Dye mention on air that he remembers how aggressively Elvis strummed the guitars that he broke two strings of a guitar he had borrowed from a musician at performance in Memphis’s Overton Park.

A similar account was written about in Paul Hemphill’s book, The Nashville Sound: Bright Lights and Country Music in which country singer Bob Luman recalls that during a show in Kilgore, Texas, Elvis “…hit his guitar a lick, and he broke two strings. Hell, I’d been playing for ten years, and I hadn’t broken a total of two strings. So there he was, these two strings dangling, and he hadn’t done anything except break guitar strings yet, and these high school girls were screaming and fainting and running up to the stage, and then he started to move his hips real slow like he had a thing for his guitar.”

This kind of jives together that Elvis used the guitar as more of a prop in his performance and to give his hands something to do in his jitteriness. I’m sure the heavier EADG gauge strings of a bass would have suited him better!

Sure, he knew the guitar chords and could strum and keep rhythm. It has been suggested on Scotty Moore’s website in an article by James V. Roy that “…perhaps the lack of a microphone on his [Elvis’s] guitar most of the time contributed to the development of his aggressive style in an attempt to be heard.”

[Sidenote: I highly recommend visiting www.scottymoore.net.epguitars.html for more on the scope of Elvis’s guitar playing and a look at some of his guitars.]

Amidst the guitars and memorabilia on the main Graceland museum, there is a very snazzy 1972 Fender Jazz Bass on display that we saw on the tour. It is a beautiful sunburst with tortoise shell pick guard. It has two pickups and a three knob arrangement. It stuck out amongst the many guitars, because, well, I’m a bassman myself, and I love looking at bass guitars.

With a man who had three televisions in his living room in the early 1970’s and was known for giving passerby individuals the keys to free Cadillacs all the time, it didn’t seem all that out of the ordinary that Elvis may have ventured out and bought a bass to fiddle around with and experiment. I remember seeing this particular bass many years ago in one of my visits to Graceland.

It is a very swank bass and definitely has that early 70’s feel and look. If I recall correctly, bassist Geddy Lee plays one.



But while on our pilgrimage with my daughter and mother, something else caught my eye this time in one of the museums across the street from Graceland. There was another bass guitar. It was a Fender Precision 1951 bass guitar originally owned by Bill Black that was pretty much a spitting image of my own bass guitar. It had a chrome pickup and bridge cover like mine.

My primary bass guitar is a “Sting Signature Series” reissue of a 1953 Fender P-Bass that I bought customized with those same style added chrome pickup and bridge cover. Before customization, my bass guitar is a replica of the one used by one of my favorite artists – Sting (lead singer and bassist of The Police).

Again, my bass set up looked just like the Bill Black Fender bass that I saw in the display case. Then, something caught my eye. It was the placard next to the bass that read:

Fender Electric Bass ca. 1957

This Fender Precision Bass Guitar (owned by Bill Black) was played by Elvis during the final version of the song “You’re So Square” in his 1957 film “JAILHOUSE ROCK”. – On loan from the private collection of Judy and Larry Moss, Memphis, TN.


Also, next to the photo, was a black and white picture of Elvis holding the bass that stood right before me. It is an amazing photo. It was doubly amazing to know that Elvis was holding a bass guitar that looked just like mine. It brought me a bit closer to the King at that moment!

I had never known that Elvis played bass guitar on an actual recording. Especially one that had perhaps the most memorable bassline of any Elvis song. It made me a bit curious.

I did a little bit of homework because I was curious about why Elvis played bass on the song and not Bill Black. What I found online was this recollection from deejay and close personal friend of Elvis, George Klein.




Klein said, “On 'Baby I Don't Care' , the Fender electric bass had just come out at that time and Bill Black was using the upright bass. In live concerts, you really couldn't hear the upright, they couldn't ‘mike it up’ well cause the sound systems in those days weren't very good. So it was really just for effect. When the Fender bass came out, it was electrified. And Elvis loved it because it'd be great in concert. It gave him a bass sound behind him. So when it first came out, Bill Black had to learn how to play it and he was having a little trouble. On the 'Jailhouse Rock' session when they got to 'Baby I Don't Care' and the intro that's on there, Bill couldn't get it down like Elvis wanted it. So Elvis played it. He recorded it and then he sang over it. I think he played guitar on 'One Night' too, I'm not sure, perhaps Scotty played that ...”

Wow.

Listen to the song and you will hear that it has a solid bassline.



Do you know how one thing can trigger another thing? How one memory can reopen another that you had stored in the attic of your mind?

Well, I’m also a big Beatles fan. I recalled an interview with Paul McCartney during their official documentary, THE BEATLES ANTHOLOGY, where the lads from Liverpool were reminiscing about their first (and only) meeting with Elvis Presley at his Bel-Air Los Angeles home in August 1965.

McCartney said, “That was the greatest. Elvis was into the bass, So there I was, "Well, let me show you a thing or two, El..." Suddenly he was a mate. It was a great conversation piece for me. I could actually talk about the bass, and we sat around and just enjoyed ourselves. He was great. Talkative. Friendly and a little bit shy. But that was his image. We expected that, we hoped for that.”



A moment of digression… Sir Paul, a legendary bassman himself, also ended up buying Bill Black’s stand up bass years later.



(Photo by Charles Nicholas © The Commercial Appeal)

But getting back on track, I then started looking around in books and found another famous photo from 1965 published in The Commercial Appeal of Elvis playing a 1962 Olympic White Fender Precision Bass Guitar on his loooooooong stretch white couch in the front living room. I’ve got a hunch that this was the same bass that McCartney and Elvis played around on during their infamous get together that same year. If I’m correct, I believe that this is also the same bass guitar on the guitar stand behind in his movie, SPINOUT from 1966. He would also be pictured with a different Fender Sunburst P-Bass in the 1965 film GIRL HAPPY and the 1967 film EASY COME, EASY GO.




(Screen capture © Warner Bros. Entertainment Inc.)

All very swank. All very deep.

So with that, I’m lead to believe that Elvis deep down was a bass enthusiast who loved to play those various Fender basses. But he knew. He knew that his primary instrument would always be his voice. He had to take care of business in flash with that first and foremost.

Often imitated but uniquely his.

To quote a line from one of his songs, “I thought my pickin’ would set ‘em on fire, but nobody wanted to hire a guitarman.”



(Screen capture © Warner Bros. Entertainment Inc.)

But, I’ll secretly know (and maybe you too will now) that Elvis was really a (secret bass) guitarman in his heart. I just can’t help believing.

Scott

Friday, July 01, 2011

My Response to Erik Burnham's "Five DC Properties to Make Movies From"

ORIGINALLY POSTED JUNE 28, 2011

My pal, Erik Burnham, wrote earlier today a blog entry that listed his idea for “Five DC Properties to Make Movies From”. Ironically, just about every day this summer, someone at work, online or the karate dojo has asked me what I thought about THOR, GREEN LANTERN or the new X-MEN: FIRST CLASS movies. (Wait until the end of this blog entry and I will reward you with my brief reviews).

So, while the anvil is hot and piggy-backing off of Erik’s blog idea, here are Scott McCullar’s “Five DC Properties to Make Movies From”.

5. DEADMAN

Not to be confused with the Johnny Depp independent film directed by Jim Jarmusch. Deadman is a ghost formerly known as Boston Brand – a trapeze artist murdered by a member of the League of Assassins. His spirit resides in a temple in Nanda Parbat (modeled after Shangri-La). The film could be both an occult murder mystery as Deadman works to solve his murder. While it may have some similarities to Patrick Swayze’s GHOST, it does not have to have Whoopi Goldberg, a clay pottery wheel or a Righteous Brothers theme song.

4. STARMAN

Not to be confused with the film starring Jeff Bridges. In the opening scene, the new Starman (David Knight) is killed by a sniper’s bullet. His younger brother and pawn shop junkie, Jack, reluctantly takes the mantle to help solve his older brother’s murder and becomes the new Starman. His father the original --Golden Age Starman, Ted Knight -- has reservations that his slacker son is prepared. Jack Knight proves his meddle.

3. THE QUESTION

I’d like to see this character blended a bit from his different portrayals in comics and be more like the JUSTICE LEAGUE UNLIMITED version which is part conspiracy theorist, a blend of Rorschach from WATCHMEN and part Fox Mulder. A compulsive, dark, obsessive newsman takes the red pill and goes further down the rabbit hole.

2. CHASE

Though it only lasted ten issues, the comic book series CHASE focused on D.E.O. Agent Cameron Chase who was tasked with monitoring metahuman threats to national security. The film could open the door to the entire DC Universe and explore A, B and C level heroes and villains. While it doesn’t have to start comical like MEN IN BLACK, it could take a serious route and inject a bit of realism like KICK ASS or the recent TV series, THE CAPE.

I know some of my friends will be surprised that I didn’t suggest a Green Arrow film. I think SMALLVILLE has exposed our hero enough that he needs some cooling off time and wouldn’t do well in a movie on his own, but I’d love to see Eddie “Iron Horse” Fyers appear as an Agent of the D.E.O. that is the watcher of Green Arrow in this CHASE series where he can make a cameo. I’d like to see Eddie co-star as a supporting character to Agent Chase and be a bit of a loose cannon.


1. SGT. ROCK

Since I was a kid, this film was rumored to be in production. First to star the late Lee Marvin (who basically played Sgt. Rock in THE BIG RED ONE). Later, Arnold Swarzenegger (who led his own band of brothers in the original PREDATORS film playing mercenary Dutch) was rumored to play Sgt. Rock at the chagrin of many fans that couldn’t imagine the Germanic accented speaking actor to play a Kraut killer. In the 1990’s and early 2000’s, even diehard action hero Bruce Willis was rumored to play the Pennsylvanian top sergeant. The movie never materialized.

For this film, look at both BAND OF BROTHERS and the Samuel Fuller movie THE BIG RED ONE to use as inspiration to tell the story of the Men of Easy Company in an episodic format that could jump from different campaigns from North Africa, Italy, France, Germany or Czechoslovakia. With a mix of how Donnie Walhberg played Sgt. Lipton and some of the grittiness of Lee Marvin as the Sarge, find a tough-as-nails actor to convincingly play the squad leader. Told with realism in a gritty way like Billy Tucci’s recent approach, interject some of the fictional aspects as if the Nazis had a War Wheel or other HELLBOY-ish comic book Nazi secret weapons. But the story is about the men and surviving as they’re led by a no-nonsense non-com officer. Use the desaturated coloring that was used in films like BAND OF BROTHERS or SAVING PRIVATE RYAN and add contrast to the shadows to make Joe Kubert’s lines come to life on film. Perhaps draw on films like HELL IS FOR HEROES, TO HELL AND BACK and THE SANDS OF IWO JIMA also for inspiration.

If Daniel Craig could dye his hair red, get it chopped into a crewcut, ditch the British accent a bit and sound like he came from Pittsburgh, then I’d love to see him play Sgt. Rock.

…and that folks, is my suggested top five.

Oh yeah, I loved X-MEN, really really liked THOR and thought GREEN LANTERN was so-so.

Letting the Arrow Fly

I didn't realize it, but June 30th was Social Media Day for the world. I must have unconsciously been in tune with the zeitgeist of the moment, because I woke up Thursday morning pondering social media due to changes going on at work. And in particular, I was thinking about how I personally use social media as a private citizen.

Before blogging became a term, I began writing journal articles on my website at www.scottmccullar.com all those years ago. In 2004, right here on Blogger, I launched my blog that I titled "A Little Less Conversation with Scott McCullar". It allowed me to "confess and profess" my rambling thoughts. During those years, I was deep in the moment of teaching art classes and working on comic books. I had my ups and downs discussing my weight problems and I also talked about movies, comics, books, karate, action figures, arcade games and all sorts of other random thoughts.

It was a place for me to vent. I did so somewhat professionally and watched what my fingers typed, but looking back over what I wrote from 2004-2010, I do see frustrations and challenges that I underwent during those years. I've always worn my heart on my sleeve.

Tonight, in the spirit of renewing and revitalizing my use of social media, I'm "rebooting" my blog. I went back tonight and personally archived every entry that I made during those six years. There were a few gems in there, but many things that I deleted are irrelevant now in my life or to have lingering out there.

I realize looking through the archives, that when Twitter and Facebook came onto the scene, my blogging decreased as I moved towards "microblogging" and I stayed away from posting deep thoughts when I was dealing with a few bouts of the blues or frustrations in my life.

Well, it is a new day.

"A Little Less Conversation with Scott McCullar" is gone. I've deleted all the entries and emptied the archives. Tonight, I'm launching "A Few Targeted Thoughts with Scott McCullar".

(C'mon, don't blogs still use cutesy names?)

So, welcome to the new blog. I plan on using this spot to place more focused articles with longer thoughts. I'll post here what I'm unable to fit on a Twitter and/or Facebook update. Something a little more substantial. I'll be a bit selective in my topics in what I cover. I've decided that there will be a few subjects that will be off-topic that I won't address here. I'll explain why in a later post.

I also intend to repost, from time-to-time, about a dozen golden nugget blog entries I made over the last decade on the old "A Little Less Conversation" blog that I think some would appreciate revisiting with an online repost.

In the meantime, I'm letting loose the first arrow here.

Best regards,
Scott

You can find me on Twitter at: www.twitter.com/scottmccullar
or you can find me on Facebook at: www.facebook.com/ryanscottmccullar .